Tobacco History:
The Social History of Smoking
by George Latimer Apperson
First published in 1914
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From Chapter 4: It seems likely that Richard Cromwell was a smoker. In 1689, long after he had retired into private life and had ample leisure for blowing clouds, he sent to a friend a "Boxe of tobacco," which was described as "A.J. Bod (den's) ... best Virginnea." In a letter to his daughter Elizabeth, dated 21 January 1705, there is a reference to this same dealer, whom he describes as "Adam Bodden, Bacconist in George Yard, Lumber [Lombard] Street." The allusion is worth noting as a very early instance of the colloquial trick of abbreviation familiar in later days in such forms as "baccy" and "bacca" and their compounds.
From Chapter 5: At the time of the Restoration tobacco-boxes which were considered suitable to the occasion were made in large numbers. The outside of the lid bore a portrait of the Royal Martyr; within the lid was a picture of the restored king, His Majesty King Charles II; while on the inside of the bottom of the box was a representation of Oliver Cromwell leaning against a post, a gallows-tree over his head, and about his neck a halter tied to the tree, while beside him was pictured the devil, wide-mouthed. Another form of memorial tobacco-box is described in an advertisement in the London Gazette of September 15, 1687. This was a silver box which had either been "taken out of the Bull's Head Tavern, Cheapside, or left in a Hackney Coach." It was "ingraved on the Lid with a Coat of Arms, etc., and a Medal of Charles the First fastened to the inside of the Lid, and engraved on the inside 'to Jacob Smith it doth belong, at the Black Lyon in High Holborn, date August 1671.'"
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From Chapter 10: Lady Ritchie, in "Tennyson and his Friends," says: "I can remember vaguely, on one occasion through a cloud of smoke, looking across a darkening room at the noble, grave head of the Poet Laureate. He was sitting with my Father in the twilight after some family meal in the old house in Kensington." Thackeray was a cigar-smoker, but Tennyson was a devotee of the pipe. It was on this occasion, as the poet himself reminded Thackeray's daughter, that while the novelist was speaking, Lady Ritchie's little sister "looked up suddenly from the book over which she had been absorbed, saying in her sweet childish voice, 'Papa, why do you not write books like 'Nicholas Nickleby'?'"
From Chapter 15: The highlander, as he existed within living memory at many shop doors, and as he still exists at a few, was and is the survivor of many similar wooden figures as trade signs. The wooden figure of a negro or "Indian" with gilt loin-cloth and feathered head, has already been mentioned as an old tobacconist's sign. In early Georgian days a tobacconist named John Bowden, who dealt in all kinds of snuff, and also in "Aloe, Pigtail, and Wild Tobacco; with all sorts of perfumer's goods, wholesale and retail," traded at the sign of "The Highlander and Black Boy" in Threadneedle Street, London. At York, in this present year, 1914, I came upon a brightly painted wooden figure of Napoleon in full uniform and snuff-box in hand, standing at the door of a small tobacco-shop. Another class of sign or emblem was represented by the "wooden midshipman," which many of us have seen in Leadenhall Street, and which Dickens made famous in "Dombey and Son." Sometimes the wooden figure of a sailor stood outside public-houses with such signs as "The Jolly Sailor"; and a black doll was long a familiar token of the loathly shop kept by the tradesmen mysteriously known as Marine Store Dealers. Images of this kind sometimes stood at the door, or in many cases were placed on brackets or swung from the lintels.
